[Blog post '462'] @studioolafureliasson Instagram video
A view becomes a window, 2013

Feature: A view becomes a window, 2013

Window projection, 1990 - Royal Danish Academy of Fine Arts, Copenhagen, 1990 - Photo: Olafur Eliasson

Feature: A view of one's own - framing reality

Mercury window, 2010 - Martin-Gropius-Bau, Berlin, Germany, 2010 - Photo: Maria del Pilar Garcia Ayensa / Studio Olafur Eliasson
Red window semicircle, 2008 - Studio Olafur Eliasson, Berlin, 2008 - Photo: Jens Ziehe
The blue window that never thinks, 2000 - neugerriemschneider, Berlin, 2000 - Photo: Jens Ziehe
Sun window, 1997 - Kunsthalle Wien, 1997
Twilight window, 2015 - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
Your repetitive view, 2000 - Zentrum für Kunst und Medientechnologie Karlsruhe, Germany, 2001 – 2000 - Photo: Franz Wamhof
Your repetitive view, 2000 - Zentrum für Kunst und Medientechnologie Karlsruhe, Germany, 2001 – 2000 - Photo: Franz Wamhof
Installation view of Olafur Eliasson: Your sun machine, 1997 - Marc Foxx Gallery, Los Angeles, 1997 - Photo: Olafur Eliasson
The curious garden, 1997 - Irish Museum of Modern Art, Dublin, 2000
The curious museum, 2010 - Studio Olafur Eliasson, 2012 - Photo: Thilo Frank / Studio Olafur Eliasson
The curious museum, 2010 - Studio Olafur Eliasson, 2012 - Photo: Thilo Frank / Studio Olafur Eliasson
Your circumspection disclosed, 1999 - Castello di Rivoli, Turin, Italy, 1999 - Photo: Paolo Pellion
Sketch for Eisfenster, 1998
Eisfenster, 1998 - Galerie Peter Kilchmann, Zurich, 1998 - Photo: Hans-Christian Schink
Your circular now, 2015 - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
Your circular now, 2015 - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
Seeing yourself seeing, 2001 - Zentrum für Kunst und Medientechnologie Karlsruhe, Germany, 2001 - Photo: Franz Wamhof
Double double hung window, 1999 - Marc Foxx Gallery, Los Angeles, 1999 - Photo: Unknown photographer
Your uncertain archive, 2014
Yellow double hung windows, 1999 - Tanya Bonakdar Gallery, New York, 2004 – 1999 - Photo: Oren Slor
Regenfenster, 1999 - Frankfurter Kunstverein, Germany, 1999 - Photo: Olafur Eliasson
Regenfenster, 1999 - Frankfurter Kunstverein, Germany, 1999 - Photo: Katrin Schilling
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Merce Cunningham Dance Company – Dancing in ‘The weather project’, 2003

Merce Cunningham Dance Company performs within The weather project at Tate Modern, 2003

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Tree of Codes premieres tonight at Manchester International Festival

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Tree of Codes rehearsals with Paris Opera Ballet and Company Wayne McGregor, June 2015. Manchester International Festival.

Tree of Codes rehearsals and interview with Wayne McGregor

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Jonathan Safran Foer - Tree of Codes, 2010

[Blog post '451'] @studioolafureliasson Instagram video
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[Blog post '444'] @studioolafureliasson Instagram video

Tree of Codes, Manchester International Festival, premieres Friday, 2 July

Connecting cross country with a line – A film for ‘Station to Station’

This weekend: Connecting cross country with a line, 2013
Part of Doug Aitken's Station to Station at The Barbican, London

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Cirkelbroen in Copenhagen opens 22 August

Contact – A film by Claire Denis

Contact - a film by Claire Denis

Image used on Blog post '438' (from S3)

Double exposure - with Doug Aitken in Iceland, 2003

Image used on Blog post '438' (from S3)
Image used on Blog post '438' (from S3)
Image used on Blog post '438' (from S3)
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Image used on Blog post '438' (from S3)
Image used on Blog post '438' (from S3)
[Blog post '441'] @studioolafureliasson Instagram video

Olafur Eliasson - excerpt from Your Gravitational Now
I make my day by sensing it. Measuring by moving, my body is my brain. My senses are my experiential guides – they generate my innermost awareness of time while generously giving depth to my surroundings. Constantly and critically invested in the world of today, they receive, evaluate, and produce my reality. When I walk or drive through the Icelandic landscape, I sense the surroundings and sense myself searching for sense. This vast landscape is like a test site that nurtures ideas and helps me process them into felt feelings – maybe even into art. Exercising physical and perceptual means of charting out space, of becoming, is for me a way of speaking to the world. This method or ‘technique’ raises questions that might just as easily be asked at different times in different situations, removed from their art context. Depth, time, psychological and physical engagement, perception – topics abound for which the landscape welcomingly offers experimental conditions and material. In Iceland and elsewhere, I continuously exchange my private being for a shared reality. I – sensorium, feelings, memories, convictions, values, thoughts, uncertainties – only am in relation to the collective.

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Hiking in Iceland
Visual diary on Instagram

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New works now on show at Tanya Bonakdar Gallery and neugerriemschneider, Art Basel

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Image used on Blog post '428' (from S3)
Image used on Blog post '428' (from S3)
Image used on Blog post '428' (from S3)
Image used on Blog post '428' (from S3)
Image used on Blog post '428' (from S3)
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Still life at sea – A film by Elias Hjörleifsson

What is this? An artist's book that presents a series of photos taken by Elias Hjörleifsson, artist and ship's cook

Image used on Blog post '427' (from S3)
Image used on Blog post '427' (from S3)
Image used on Blog post '427' (from S3)
Image used on Blog post '427' (from S3)
Homage to P. Schatz, 2012

Homage to P. Schatz, 2012

The geometry of the oloid

The geometric properties of an oloid

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Water colour sketchbook

We have never been disembodied, 2015 – A film by SHIMURAbros

We have never been disembodied, 2015 - a film by SHIMURAbros
Interpreting the exhibition at Mirrored Gardens, Guangzhou
More films, images and texts about the exhibition here: #EliassonMirrored

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