2 years in 30 sec. The process of visualising the entanglements of artworks and ideas for Your uncertain archive. https://t.co/2qOU9BCzSa
Latest issue of Disegno magazine, featuring Your uncertain archive
Two years of uncertainty: visualising the entanglements of artworks and ideas for the development of Your uncertain archive
Spiegeltunnel, 2009, one of three works on view from tomorrow at Akademie der Künste, Berlin, as part of the group exhibition, Schwindel der Wirklichkeit
The view, a window on the horizon
My senses left me one by one to have a life of their own. If you meet me don't be sure it's me. My center isn't in the solar system E. Adnan
Know-how kaleidoscope meets Steen Koerner. Video: https://t.co/outpPRLu4l
Steen Koerner in Know-how kaleidoscopes, 2014, Kabelparken, Copenhagen
RT ! @claire_voon: this video of Olafur Eliasson's "Riverbed" installation makes me feel like I'm a Komodo dragon http://t.co/pQvOCXk072
Walking Riverbed
Black hole sensitivity
Natasha Mendonca, Moon Sketches, 2013 - a film inspired by Olafur Eliasson and Ai Weiwei's, Moon
Turner expressed a confidence that the viewers are able to make up their own narrative. It's about trust. @guardianculture
I've been focussing on the works in which Turner radicalised his ideas. #TateShots @Tate http://t.co/0FnritJTuK
(the point) where thinking becomes seeing
Revisiting a thought by F. Varela: 'Being in the world is a long process of co-evolution and co-definition between outside and inside.'
Bound together by our need to navigate: we're all a bit lost, we're all on the way
Instead of archives turning into dust-collecting heaps of knowledge, they can be proactive reality machines. http://t.co/hYmrsOgR8f
"Turner introduced an atmosphere and a critique of other painters. I see Turner as aesthetically touching and also as a social activist."
Turner colour experiments now on view at Tate Britain
"In Eliasson's case, there's a socio-political dimension to his expressions of the ephemeral" @Independent http://t.co/rOs6lqcBGH
When I look at Turner, I see the dematerialisation of the social constraints of his time. #colourexperiments @Tate
Touching Iceland. #Bardarbunga eruption. Film by @jongustafsson http://t.co/nthjnHadRg
No nights in summer, no days in winter, 1994, on view from today at the Gwangju Biennale
On view until 9 November
View from the studio: Turner colour experiments in progress
Active memory: from the burning archive
Preview of Contact is content, 2014, on view as part of Riverbed at Louisiana Museum of Modern Art, Denmark
Your uncertain archive!: drift, explore, connect – embrace uncertainty
Movement microscope, 2011, on view as part of Riverbed, at Louisiana Museum of Modern Art, Denmark
View from the studio
View of Know-how kaleidoscopes, 2014, Kabelparken, Copenhagen
Video: Bo Tengberg
Know-how kaleidoscopes, 2014, Kabelparken, Copenhagen
Gravity stairs, 2014, on view at Leeum, Samsung Museum of Art, Seoul, South Korea until 28 December
How does it feel to keep balance?
How does it feel to lose it?
Model room, 2003, now on view at Louisiana Museum of Modern Art, Denmark
Ping-pong on the façade of the Harpa Reykjavik Concert Hall
Riverbed is now open at Louisiana, Museum of Modern Art, Denmark
Astrolafur: anti-gravity dance
Active memory: from the anti-gravity archive
Active memory: images from the archive
Inspiration: The Last Whole Earth Catalog
Olafur Eliasson and Ai Weiwei's Moon
Books we are reading at the moment
Grey Sheep: A-B-A-B-A: from here to hear
Your inner we, on the occasion of the European Parliament Election
Contribution to Hans Ulrich Obrist's 'Mapping It Out'
TYT [Take Your Time], Vol. 5: The Kitchen
Your exhibition guide - an app by Olafur Eliasson