Olafur Eliasson
Artist's books, monographs and catalogues of solo exhibitions
2008
Olafur Eliasson: Your mobile expectations; BMW H2R project. Baden: Lars Müller Publishers, 2008.
Studio Olafur Eliasson: An Encyclopedia. Cologne: Taschen, 2008.
2007
Lavaland: Olafur Eliasson & Jóhannes S. Kjarval. Edited by Helle Behrndt, Maj Dannemand, Anne Kielgast, and Lotte Juul Petersen. Copenhagen: Kunstforeningen GL Strand, 2007.
Olafur Eliasson & Hans Ulrich Obrist: The Conversation Series; Vol. 13. Edited by Matthew Gaskins. Cologne: Verlag der Buchhandlung Walter König, Köln, 2007.
Olafur Eliasson: Your mobile expectations; BMW H2R project. Edited by Olafur Eliasson. Berlin: Studio Olafur Eliasson, 2007.
Take your time: Olafur Eliasson. Edited by Madeleine Grynsztejn. Exhibition catalogue. San Francisco: San Francisco Museum of Modern Art; London: Thames & Hudson, 2007.
Serpentine Gallery Pavilion 2007: Olafur Eliasson and Kjetil Thorsen. Edited by Caroline Eggel, anna Engberg-Pedersen / Studio Olafur Eliasson, Ben Fergusson, Rebecca Morrill / Serpentine Gallery. London: Serpentine Gallery; Baden: Lars Müller Publishers, 2007.
TYT [Take Your Time]: Vol.1: Small Spatial Experiments. BerlIn Studio Olafur Eliasson, 2007.
Your black horizon Art Pavilion: Olafur Eliasson and David Adjaye. Edited by Eva Ebersberger, Francesca von Habsburg, and Daniela Zyman. Cologne: Verlag der Buchhandlung Walter König, Köln, 2007.
2006
Eliasson, Olafur. Your House. New York: Library Council of The Museum of Modern Art, 2006.
Olafur Eliasson: A Laboratory of Mediating Space. Edited by Caroline Eggel and Anna Engberg-Pedersen / Studio Olafur Eliasson. BerlIn Aedes am Pfefferberg; Vienna: Österreichische Friedrich und Lillian Kiesler-Privatstiftung, 2006.
Olafur Eliasson: Caminos de naturaleza / Paths of Nature. Edited by Antonia Castaño and Paloma Castellanos. Madrid: Fundación Telefónica; La Fabrica Editorial, 2006.
Olafur Eliasson: Remagine; Large Version. Edited by Volker Adolphs. Bonn: Kunstmuseum Bonn, 2006.
Olafur Eliasson: Your Colour Memory. Edited by Ismail Soyugenc and Richard Torchia Glenside: Arcadia University Art Gallery, 2006.
Olafur Eliasson: Your Engagement has Consequences; On the Relativity of Your Reality. Edited by Olafur Eliasson and Caroline Eggel / Studio Olafur Eliasson. Baden: Lars Müller Publishers, 2006.
The Goose Lake Trail (Southern Route): Gæsavatnaleið (Syðri); A Road Conversation between Olafur Eliasson and Hans Ulrich Obrist. Edited by Studio Olafur Eliasson and Eidar Art Center. Cologne: Verlag der Buchhandlung Walther König, Köln, 2006.
The Icelandic National Concert and Conference Centre Reykjavik. Edited by Olafur Eliasson and Studio Olafur Eliasson. BerlIn Studio Olafur Eliasson; Reykjavik: Eignarhaldsfélagið Portus Ltd., 2006.
Your House. New York: Library Council of The Museum of Modern Art, 2006.
2005
Lesbók Morgunblaðsins: Jökluserían. Edited by Olafur Eliasson and Frida Björk Ingvarsdóttir / Morgunblaðið. Special issue. Reykjavik: Morgunblaðið, 12 May 2005.
Olafur Eliasson: Dufttunnel; Ein Projekt für die Autostadt in Wolfsburg / Scent Tunnel; A Project for the Autostadt in Wolfsburg. Edited by Caroline Eggel / Studio Olafur Eiasson and Astrid Jentsch. Ostfildern-Ruit: Hatje Cantz Verlag, 2005.
The Negotiation Project. Edited by Olafur Eliasson and Anri Sala. BerlIn Studio Olafur Eliasson, 2005.
2004
At se sig selv sanse: Samtaler med Olafur Eliasson. Edited by Anna Engberg-Pedersen and Karsten Wind Meyhoff . Copenhagen: Informations Forlag, 2004.
Colour Memory and Other Informal Shadows: Olafur Eliasson. Edited by Caroline Eggel / Studio Olafur Eliasson and Marit Woltmann. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004.
Frost Activity: Olafur Eliasson. Edited by Olafur Eliasson. Reykjavik: Reykjavik Art Museum, 2004.
Olafur Eliasson: Camera Obscura für die Donau. Edited by Caroline Eggel / Studio Olafur Eliasson. Kunst im öffentlichen Raum, Niederösterreich, 2004.
Olafur Eliasson: Minding the World. Edited by Olafur Eliasson and Gitte Ørskou. Denmark: ARoS Aarhus Kunstmuseum, 2004.
Olafur Eliasson: Photographs. Edited by Matthew Drutt. Houston: Menil Foundation, Inc., 2004.
Olafur Eliasson: Your Lighthouse; Works with Light 1991-2004. Edited by Holger Broeker and Gijs van Tuyl. Ostfildern-Ruit: Hatje Cantz Verlag, 2004.
2003
The Body as Brain. Edited by Caroline Eggel, Olafur Eliasson, Tomás Saraceno, and Einar Thorsteinn. Berlin Studio Olafur Eliasson; Zug: Kunsthaus Zug, 2003.
Funcionamiento silencioso: Olafur Eliasson. Edited by Olafur Eliasson and Caroline Eggel / Studio Olafur Eliasson. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2003.
Lanzarote Series: Olafur Eliasson. Edited by Rina Carvajal, Roberto Días, and Alejandro Krawietz. Barcelona: Revisitar Canarias / The Canary Islands Revisited; ACTAR, 2003
Olafur Eliasson: The Blind Pavilion. Edited by Olafur Eliasson. Copenhagen: Kunststyrelsen; Ostfildern-Ruit: Hatje Cantz Verlag, 2003.
Olafur Eliasson: Sonne statt Regen. Edited by Olafur Eliasson, Caroline Eggel / Studio Olafur Eliasson, and Susanne Gaensheimer. Munich: Städtische Galerie im Lenbachhaus und Kunstbau München; Ostfildern-Ruit: Hatje Cantz Verlag, 2003.
Olafur Eliasson: The Weather Project. Edited by Susan May. London: Tate Publishing, 2003.
2002
Chaque matin je me sens différent, chaque soir je me sens le meme. Edited by Angeline Scherf. Paris: Musée d’Art Moderne de la Ville de Paris, 2002.
Olafur Eliasson. Edited by Daniel Birnbaum, Madeleine Grynsztejn, and Michael Speaks. London: Phaidon Press Limited, 2002.
Olafur Eliasson. Movement Meter for Lernacken. Edited by Olafur Eliasson and Caroline Eggel / Studio Eliasson. BerlIn Studio Olafur Eliasson, 2002.
To the Habitants of Space in General and the Spatial Inhabitants in Particular. Edited by Olafur Eliasson, Christine Kintisch, and Einar Thorsteinn. Vienna: BAWAG Foundation Edition, 2002.
2001
The Mediated Motion: Olafur Eliasson in Cooperation with Günther Vogt. Edited by Olafur Eliasson, Rudolf Sagmeister, Clemens Schedler, Herbert Abrell, and Eckhard Schneider. Bregenz: Kunsthaus Bregenz; Cologne: Verlag der Buchhandlung Walther König, 2001.
My Now Is Your Surroundings – Process as Object. Edited by Olafur Eliasson and Jan Winkelmann. Cologne: Verlag der Buchhandlung Walther König, 2001.
Olafur Eliasson: The Structural Evolution Project. Edited by Olafur Eliasson. Ljubljana: Mala Galerija, 2001.
Olafur Eliasson: Surroundings Surrounded; Essays on Space and Science. Edited by Peter Weibel. Graz: Neue Galerie am Landesmuseum Joanneum; Cambridge: MIT Press, 2001.
Olafur Eliasson: Your Only Real Thing is Time. Edited by Jessica Morgan. Boston: Institute of Contemporary Art; Ostfildern-Ruit: Hatje Cantz Verlag, 2001.
What is This? Edited by Elias Hjörleifsson and Olafur Eliasson. BerlIn Studio Olafur Eliasson, 2001.
Your Difference & Repetition: Olafur Eliasson. Edited by Olafur Eliasson, Akiko Miyake, and Nobuo Nakamura. Kitakyushu: CCA, Center for Contemporary Art, 2001.
1999
Olafur Eliasson: Your Position Surrounded and Your Surroundings Positioned. Edited by Olafur Eliasson and Katrina Brown. Dundee: Dundee Contemporary Arts, 1999.
Sospensione. Edited by Olafur Eliasson. BerlIn Studio Olafur Eliasson; Milan: Emi Fontana, 1999.
1998
Hellisgerði. Edited by Olafur Eliasson. Kjarvalsstaðir: Reykjavik Art Museum, 1998.
Landscapes with Yellow Background. Edited by Olafur Eliasson. Umeå: BildMuseet, 1998.
Users. Edited by Olafur Eliasson and Tina Petras / Studio Olafur Eliasson. BerlIn Studio Olafur Eliasson, 1998.
1997
Erosion: A Project for the 2nd Johannesburg Biennale 1997. Edited by Olafur Eliasson and Studio Olafur Eliasson. BerlIn Studio Olafur Eliasson, 1997.
Olafur Eliasson. Kunsthalle Basel; Schwabe & Co AG, 1997.
Interviews
2008
Almbjerg, Sarah-Iben. "Kunst til lands og til vands." Berlingske Magasin, 5 May 2008, Section 2: 4.
Schlüter, Ralf and Till Briegleb."Meine Kunst ist nicht utopisch." Interview. In Art: Das Kunstmagazin, No. 5, May 2008: 16-27.
2007
Conner, Justin. “Eye See You.” Interview, December-January 2007: 60, 62.
Mussbach, Peter. "Phaedra." MMM / Monnaie Munt Magazine, September-October 2007: 18-26.
2006
Aitken, Doug. “Olafur Eliasson.” In Broken Screen. Expanding the Image. Breaking the Narative. 26 Conversations with Doug Aitken. Edited by Noel Daniel, 110-120. Los Angeles, 2006.
Andersen, Kitt. “Olafur Eliasson. Hvorfor er biler så kedelige?” M/S Berlingske Tidende 4, 12 November 2006: 24-28.
Blake, Robin. “The Model of a Modern Artist.” Financial Times, 6 November 2006: 10.
Ichihara, Kentaro. “Interview with Olafur Eliasson.” Bijutsu-Tecyo, February 2006: 123-130.
Harms, Ingeborg. “Die Wirklichkeit ist nicht wirklich.” Frankfurter Allgemeine Sonntagszeitung - Feuilleton, 8 October 2006: 33.
Hontoria, Javier. “Arte Protagonistas. Oafur Eliasson.” El Cultural, 1 June 2006: 4-6.
Marziani, Gianluca. “Eliasson: porto il sole dentro Vuitton.” Panorama, 19 October 2006: 260-261.
Miessen, Markus. “Nothing is Real. In conversation with Olafur Eliasson.” build - Das Architekten-Magazin, May 2006: 36-38.
2005
Birnbaum, Daniel: "In Conversation." In Press Play. Contemporary Artists in Conversation. By the editors of Phaidon Press, 175-190. London: Phaidon Press Limited, 2005. Previously printed In Olafur Eliasson. Edited by Madeleine Grynsztejn, Daniel Birnbaum, and Michael Speaks. London: Phaidon Press Limited, 2002.
Buren, Daniel. “In Conversation: Daniel Buren & Olafur Eliasson.” Artforum, May 2005: 208-214.
David, Thomas. “Die meisten Dinge sind sehr viel relativer, als wir denken”. du 761 / 10, November 2005: 81-83.
Hofstätter, Amrei. “Olafur Eliasson: The Things That You See but You don’t See.” Belio 017: Nature Issue: 107-108.
2004
At se sig selv sanse. Samtaler med Olafur Eliasson. Edited by Anna Engberg-Pedersen and Karsten Wind Meyerhoff. Copenhagen, 2004.
Bessing, Joachim. “Experiencing Space: Olafur Eliasson.” 032c, Issue 8, 2004-2005.
Gilbert, Chris. “Olafur Eliasson.” Bomb 88: 22-29.
Koerner von Gustorf, Oliver. “Es ist wichtig, die Maschine zu zeigen.” db art, http://www.deutsche-bank-kunst.com/art/06/d/magazin-eliassonartikel.php (accessed 14 May 2008).
Meehan, Carole Ann. “Olafur Eliasson: The Young Land.” In Vita Brevis. History, Landscape, and Art 1998-2003. Edited by Jill Medvedow and Carole Anne Meehan. Boston: The Institute of Contemporary Art, 2004.
Morais, Maria, and Oliver Koerner von Gustorf. “Kulturgeschichte statt Naturgeschichte.” db art, http://www.deutsche-bank-kunst.com/art/06/d/magazin-eliassoninterview.php (accessed 14 May 2008).
Stilling, Oliver. “I virkeligheden hvem som helst.” Euroman 128, October 2004: 92-96.
2003
Buchhart, Dieter. “Wie in der Pop Art klaue ich direkt Naturphänomene und wissenschaftliche Darstellungen: Ein Gespräch mit Dieter Buchhart.” Kunstforum International 167, November-December 2003: 190-207.
Obrist, Hans Ulrich. “Olafur Eliasson.” In Interviews: Volume I. Original version. Edited by Thomas Boutoux, 193-209. Milan, 2003.
Rosenberg, Angela. “Olafur Eliasson: Beyond Nordic Romanticism.” Flash Art International 36/230, May-June 2003: 110-113.
2002
Birnbaum, Daniel. “Interview: Daniel Birnbaum in Conversation with Olafur Eliasson.” In Olafur Eliasson. Edited by Madeleine Grynsztejn, Daniel Birnbaum, and Michael Speaks, 8-33. London: Phaidon Press Limited, 2002.
Fricke-Waldthausen, Johannes. “Natur und Pop.” Quest 5, Summer 2002: 162-165.
Laubard, Charlotte. “L’Œil de Olafur Eliasson.” L’Œil, May 2002: 22-23.
Obrist, Hans Ulrich. “Entretien Olafur Eliasson and Hans Ulrich Obrist.” In Chaque matin je me sens différent: Chaque soir je me sens le même. Exhibition catalogue. Paris: Musée d’Art Moderne de la Ville de Paris, 2002.
Steels, Luc and Israel Rosenfield. “Human and Artificial Consciousness on the Move.” Janus 12, 2002: 4-10.
2001
Morgan, Jessica. “Olafur Eliasson.” In Your Only Real Thing Is Time. Edited by Jessica Morgan, 16-23. Exhibition catalogue. Ostfildern-Ruit: Hatje-Cantz Verlag; Boston: Institute of Contemporary Art, 2001.
2000
Berger, Doris and Barbara Steiner. “Olafur Eliasson.” In Kunstverein Wolfsburg: Jahrbuch Mai 1999-Mai 2000, 3-13. Wolfsburg, 2000.
Steiner, Rochelle. “Olafur Eliasson: Interview.” In Wonderland. Edited by Mary Ann Steiner, 55-59. Exhibition catalogue. St. Louis: St. Louis Museum of Art, 2000.
1999
Gedin, Andreas. “Grönt vatten och en bombad kurdisk by.” Moderna Museets Vänners tidskrift 2, 1999: 6-12.
Krogh Jensen, Marianne and Olafur Eliasson. “What We Have in Common Is That We Are Different.” In Olafur Eliasson: Your Position Surrounded and Your Surroundings Positioned. Edited by Katrina Brown and Olafur Eliasson, 14-19. Dundee: Dundee Contemporary Arts, 1999.
1998
Hultmann, Kristina. “Olafur Eliasson: Your Compound View.” In Brytningstider: En bok om vår föränderliga värld, 104-109. Stockholm, 1998.
Articles
2008
Almbjerg, Sarah-Iben. "Fra 'hold da op' til 'aha.'" Berlingske Magasin, 5 May 2008, Section 2: 5.
Bødker, Kirsten. "Tid og ro praeger Olafur." Børsen, 17 April 2008: 45.
Birmingham, Lucy. “Tokyo Jewel Box.” Architectural Digest, January 2008: 136-143.
Casa Brutus, April 2008: 74, 79, 113.
de Wild, Femke. "Race against Time." Frame, Issue 61, March-April 2008: 34-35.
"Die Entdeckung der Welt." Living Culture: Das Magazin der Fünf Höfe, No. 6, 2008: 22-23.
"Die Museen sind zu elitär." Spiegel, No. 17, 21 April 2008: 182-186.
Duponchelle, Valérie. "Le magicien qui réinvente la planète Terre." Le Figaro, 24 March 2008: 21, 23.
Ensemble Modern. "Phaedra - Ein Fluchtpunkt in jedem Zuschauerohr." Interview. Dot18: Computer Art Faszination, 2008. 14-15.
“Eliassons New Yorker Wasserfall.” Süddeutsche Zeitung, No. 14, 17 January 2008: 13.
Fal Ingólfsson, Eftir Einar. “þetta er einstakt taekifaeri.” Morgunblaðið, 17 January 2008: 21-28.
Gebbers, Anna-Catharina. "Olafur Eliasson: Der Prozess." Liebling: Zeitschrift für Mode, Film, Musik und Kunst, May 2008: 50-61.
Hohmann, Silke. "Reine Geldquellen." Monopol, Nr. 4, April 2008: 30.
“Hugvitssamlegir og gríðarstórir.” Morgunblaðið, 16 January 2008: 1, 15.
Kalt, Pat. "Cold Spell." BMW Magazine, January 2008: 30-35.
"Kunstliches Wetter." Greenpeace Magazin, January-February 2008: 14-15.
Liebs, Holger. "Mit dem Klotz durch die Wand." Süddeutsche Zeitung no. 92, 19-20 April 2008: 15.
Mejias, Jordan. "Der New Yorker Sommer gehört ihm." Frankfurter Allgemeine Zeitung, no. 101, 30 April 2008: 41.
Meyer-Bohlen, Monica. "Authentizität und Intensität." Uni-Info, Carl von Ossietzky Universität, No. 4, May 2008: 5.
Mitterer, Ines. "Der Wetter-Macher aus dem Norden." Ö1 Gehört, No. 149, May 2008: 4-5.
Müller, Katrin Bettina. "Eisgekühlte Gewalten." AD: Architectural Digest, Germany, May 2008: 130.
Nujisink, Catelijne. "The Weather Man." Frame, Issue 61, March-April 2008: 85.
Pen, No. 213, 1-15 January 2008: 84.
Ramade, Bénédicte. "Éco-pastille." 02, Issue 45, Spring 2008: 12-14.
Ramade, Bénédicte. "HQE / Haute Qualité Environnementale." 02, Issue 45, Spring 2008: 15-17.
"Rainbow Democracy." Uni-Info, Carl von Ossietzky Universität, No. 4, May 2008: 1.
Schönberger, Thomas. "Kunst als Natur: Das Phänomen Olafur Eliasson." Style: Magazine for Life, Germany, May 2008: 118-121.
Schumacher, Manfred. "Artinvestor Index 2006." Artinvestor, January 2007: 87.
Sievernich, Elias. "Es rappelt in der Kiste." Kultinger, Issue 14, February 2008: cover, 4-6.
"Wish to visit ultimate site-specific works from aroud the world." Esquire, Japan, Volume 22, No. 5, May 2008: 80-81.
2007
032c. Issue 14, Berlin, Winter 2007-2008.
Akbar, Arifa. "Olafur Eliasson bygger fremtidsbil." Information, No. 206, 5 September 2007: 14-15.
Art - das Kunstmagazin, No. 10, October 2007: 16.
“Avantgarde total: Kunststück im Herzen Londons.” Up’date: Nüssli, November 2007: 1, 6.
Beros, Nada. “Druga Priroda / Second Nature.” Oris: Magazine for Architecture and Culture. Volume 9, Number 48, 2007: 18-27.
Coles, Alex. "Pavilions." Art Monthly, No. 308, July-August 2007: 1-3.
Ebner, Jörn. "Schwindelturm im Hyde Park." db / deutsche bauzeitung, October 2007: 6-7.
Galilee, Beatrice. Icon, Issue 52, October 2007: 57-58.
Hur Tae-Woo. "Creator of Artificial Visions." Asiana, October 2007: cover, 0, 2, 4.
Ingvarsdóttur, Eftir Frida Björk. "Hann er svo örlátur." Morgunblaðið, 7 September 2007: 52.
Ingvarsdóttur, Eftir Frida Björk. "Óvenjulegur, ögrandi og ferskur." Morgunblaðið, 7 September 2007: 19.
Lazo, Pablo. "La novela del Pabellón Serpentine." Arquine, No. 41, Autumn 2007: 15.
Lovins, Armory B. "Exactly Enough Time." The Berlin Journal, No. 15, Fall 2007: cover, 42-46.
“Olafur Eliasson + Kjetil Thorsen: Serpentine Gallery Pavilion 2007.” A+U, No. 447, December 2007: 12-23.
Olson, Marisa S. "Olafur Eliasson. Devices for Experience." Planet°, Issue 17, Fall 2007: 26-29.
O'Reilly, Sally. "Time Is on his Side." Art Review, Issue 14, September 2007: 70-75.
“Serpentine Gallery Pavilion 2007.” ArkitekturN, August 2007: 58-63.
Ulmer, Brigitte. “Die Kunstmagie-GmbH.” Bilanz 1, 2007: 80-81.
Quo, July 2007: 14-15.
2006
B. F. “Bunker.” Abitare 458, February 2006: 94-98.
Bartels, Daghild. “Ich habe keine Angst vor Schönheit.” Handelsblatt 144, 28-30 July 2006: 2.
Casciani, Stefano. “Written on Water.” Domus 897 - On Water, special issue, November 2006: 12-21.
Catton, Pia. “Art around Town. A New Take on Window Shopping.” The New York Sun, 10-12 November 2006: 2.
Cheetham, Mark A. “Natural Enxieties. Why to Go to a Museum to See the Sun?” The Walrus 3/3, April 2006: 82-87.
Clewing, Ulrich. “Neugerriemschneider. Olafur Eliasson.” Der Tagesspiegel, 25 March 2006: 24.
Eliasson, Olafur. “Some Ideas About Colour.” In Public 33. Errata. Edited by An Te Liu & Andrew Payne, 50-57. Toronto, 2006.
Eliasson, Olafur. “The D.I.Y. Colour Timezone Planet.” Spot 33, 2006: 26.
Eliasson, Olafur. “The Mediated Motion.” Archplus 178, June 2006: 60-61.
Frenzel, Sebastian. “Das Kollektiv fährt mit.” TAZ Berlin, 16 January 2006: 23.
Friebe, Inge. “Light Art. Olafur Eliasson.” Professional Lighting Design 50, July-August 2006: 56-59.
Grosz, David. “Gallery-Going. Rejecting Modernism’s Pieties.” The New York Sun, 11 May 2006: 18.
Hofmeister, Sandra. “The Yellow Sun, the Mist and the Perceiving Subject”, Light 54, 2006: 62-66.
Kimmelman, Michael. “Olafur Eliasson. Your Engagement Sequence.” The New York Times, 12 May 2006: E32.
Maak, Niklas. “The Exhibition Miracle of Berlin.” Europe Endless 11, Summer 2006: 98-99.
McLeod, Scott. “Life in Venice. Physical Sensations at the 51th Venice Biennale.” Prefix Photo 12, April 2006: 36-37, 53.
McLeod, Scott. “Olafur Eliasson. Your Black Horizon. Always a Little Further, Island of San Lazzarro.” Prefix Photo 12, April 2006: 53-59.
Mittringer, Markus. “Kiesler, Eliasson und die Folgen.” Der Standard, 8 Juni 2006.
Peick, Morten. “Kunst som kompetence.” Imorgen 6, June 2006: 16-19.
Poschardt, Ulf. “The Big White Out”. 032c, Issue 12, Winter 2006-2007: 92-93.
Quinz, Emanuele. “Les strates de l’interface.” Bilbok. Magazine des errances contemporaines 27, January 2006.
Rauterberg, Hanno. “Heiß auf Matisse.” Die Zeit 17, 20 April 2006: 17.
Ruthe, Ingeborg. “Ruhm ist ein Missverständnis.” Berliner Zeitung 157, 8-9 July 2006: 3.
Sausset, Damien. “Dans la lumière d’Olafur Eliasson.” Connaissance des Arts 634, January 2006: 54-59.
Scheyerer, Nicole. “The Wizard of Oz.” Falter 24, 14 June 2006.
Scheyerer, Nicole. “Interview mit Olafur Eliasson: Spectacle für Hypersensible.” Falter 24, 14 June 2006.
Schouwenberg, Louise. “A Change of Climate.” Frame 49, March-April 2006: 68-77.
Schumacher, Manfred. “150 Top of the Art.” Artinvestor 6, February 2006: 72-75.
Sloterdijk, Peter. “Immersion.” Archplus 178, June 2006: 74-75.
Sloterdijk, Peter. “The Mediated Motion. Olafur Eliasson.” Archplus 178, June 2006: 60-63.
Sørensen, Anette. “Det islandske lys.” Danske Ark Byg 44, July 2006: 6-8.
Spiegler, Almuth. “Ich bin ein Mainstream-Künstler.” Die Presse, 7 June 2006.
Vienne, Véronique. “Optical Magic.” Metropolis, May 2006: 128-135.
White, Lisa: “The Fifth Dimension.” Provider 2, May 2006: 8-16.
Wittneven, Katrin. “Im reißenden Fluss.” Der Tagesspiegel, 25 March 2006: 24.
Zarin, Cynthia. “Seeing Things. The Art of Olafur Eliasson.” The New Yorker, 13 November 2006: 76-83.
2005
Criqui, Jean-Pierre. “Olafur Eliasson: Time Vibes Studies.” Les Cahiers du Musée national d’art moderne 90: 3-19.
Eliasson, Olafur. “The Jökla Series,” Lesbók Morgunbla∂sins, Special Issue, 12 May 2005: 2-99.
Goa, Torbjørn. “Lysbærerne. Modernismens Rolle.” Design Interiør 5, November 2005: 60-65.
Krogh Jensen, Marianne and Olafur Eliasson. “Olafur Eliasson - Dekolonisering af Utopia.” Samtidsarkitekten, The Compatible X. Copenhagen, 2005: 68-71.
Liebs, Holger. “Elfen im Stroboskop.” Süddeutsche Zeitung, 5 December 2005: 17.
Mascheroni, Loredana. “Olafuriade. Eliasson, from Pasadena to Venice.” Domus 884, September 2005: 84-93.
Massey, Doreen. “Travelling imaginations.” Lesbók Morgunbla∂sins, Special Issue, 12 May 2005: 102-103.
Schoof, Jakob. “Seeing Yourself Seeing. Olafur Eliasson.” Daylight & Architecture 1, Autumn 2005: 2-6.
Schor, Gabriele. “Diesseits des Regenbogens.” Neue Zürcher Zeitung, 25 November 2005: 25.
Spinelli, Claudia. “Alles frisch.” Weltwoche 49, December 2005: 81.
Verhagen, Marcus. “Welcome to the Olafur Eliasson Show: On Art and Illusion.” Modern Painters, January 2005: 100-103.
2004
Bessing, Joachim. “Experiencing Space: Olafur Eliasson.” 032c 8, 2004-2005.
Colin, Anne. “Olafur Eliasson: the Nature of Nature as Artifice.” Artpress Magazine, September 2004: 34-39.
Diehl, Carol. “Northern Lights.” Art in America 9, October 2004: 108-115.
Gilbert, Chris, “Olafur Eliasson.” Bomb 88, Summer 2004: 22-29.
Kimmelman, Michael. “The Sun Sets at the Tate Modern.” The New York Times, 21 March 2004, Section 2: 30.
Kimmelman, Michael. “Illusion and Reality Cozy Up at Tate Modern.” The New York Times, 19 March 2004.
Kimmelman, Michael. “Putting the Spectator at the Center,” International Herald Tribune Online, 16 March 2004.
Lesbók Morgunblaðsins, Iceland, contemporary art issue, 27 March 2004
Meyer, James. “No More Scale: The Experience of Size in Contemporary Sculpture.” Artforum, Summer 2004: 220-228.
“Power 100: #29, Olafur Eliasson.” Art Review Magazine, November 2004: 73.
Rapkin, Maickey. “Art.” Details Magazine, August 2004: 44.
Wifel, Henrik. “Måder at se på.” Nordisk Tidskrift 80/4, 2004: 299-308.
Wilson, Michael. “Olafur Eliasson, Menil Collection (Preview).” Artforum, May 2004: 85.
2003
“Actualidad.” Lapiz: Revista mensual de arte 21, 2003: 160-163.
Allen, Timothy. The Independent, 16 October 2003: front cover.
Artist 338, July 2003: 121.
Birnbaum, Daniel. “Olafur Eliasson: The Weather Project. (Best of 2003: 10 Top Tens).” Artforum International, December 2003: 114-115, 124.
Bode, Peter M. “Schönheit durch Recycling.” Art 2, February 2003: 115.
Burton, Johanna. “Olafur Eliasson: Tanya Bonakdar Gallery.” Artforum International, September 2003: 224.
Coomer, Martin. “Reign predicted.” Time Out London, 3-10 September 2003.
Díaz, Linn. “Olafur Eliasson.” ArtInvestor: Kunst und Markt, January 2003: 66-68.
Diez, Renato. “Olafur Eliasson a Londra: Forme dell'immaginazione.” Arte, October 2003: 134-141.
Eliasson, Olafur. “Tre tekster.” Kritik: Tidsskrift for litteratur, forskning, undervisning 36 /164, 2003: 1-7.
“Exhibitions.” The Guardian (Guide), 11-17 October 2003.
Feinstein, Roni. “Report from Miami: Expanding Horizons.” Art in America, December 2003: 48-59.
“5 Best Artists.” The Times: Weekend Review, 11 October 2003.
Gibbons, Flachra. “Tate Modern Awakes to Dane's Rising Sun.” Guardian, 16 October 2003.
“Give Me Sunshine.” The Guardian Weekly, 30 October - 5 November 2003: 20.
Glover, Michael. “Free Spirits Cross No New Frontiers.” The Independent Review, 16 June 2003.
“Goings on about Town: Olafur Eliasson.” The New Yorker, 26 May 2003: 20.
Gronlund, Melissa. “New York: Tanya Bonakdar Gallery-Olafur Eliasson.” Contemporary 55: 73.
Hauffen, Michael. “Olafur Eliasson: Sonne statt Regen.” Kunstforum International 165, June-July 2003: 334-335.
Hoffmann, Justin. “Olafur Eliasson im Kunstbau München.” Kunst-Bulletin, 6 June 2003: 69-70.
Hübl, Michael. “Dänemark (country contributions 50th Biennale Venice).” Kunstforum International 166, August-October 2003: 241-243.
Johnson, Ken. “Art in Review: Olafur Eliasson.” The New York Times, 23 May 2003: E36.
Johnson, Ken. “In full View: Andrea Rosen Gallery.” The New York Times, 1 August 2003.
Kimmelman, Michael. “Cramming It All in at the Biennale.” The New York Times, 26 June 2003: E1.
Krenz, Marcel. “Olafur Eliasson: Tanya Bonakdar.” Flash Art International 36/231, July-September 2003: 65-66.
“Kunstkompass: Die 100 Grössten.” Capital: Das Wirtschaftsmagazin 23, 2003: 149-150.
Leitch, Luke. “A Tate Sunset.” Evening Standard, 15 October 2003.
Levin, Kim. “Voice Choices.” The Village Voice, 7 May 2003: 7.
Levin, Kim. “Power Vacuum.” The Village Voice, 23 June 2003.
Lorch, Catrin. “La Biennale di Venezia.” Kunst-Bulletin 7/8, July/August 2003: 22-27.
Morris, Roderick Conway. “Heat and Promise at the Venice Biennale.” International Herald Tribune, 17 June 2003.
“Microclimate.” Art Monthly, June 2003.
“Northern Stars.” Vogue, October 2003.
“Olafur Eliasson.” Contemporary 50, 2003: 27
“Olafur Eliasson.” Texte zur Kunst 13/52, December 2003: 170-171.
“Olafur Eliasson.” V Magazine, September-October 2003.
Piccoli, Cloe. “Olafur Eliasson.” Arte 1, 2003: 42-52.
Ratnam, Niru. “These Dreams: Artwork by Olafur Eliasson and Doug Aitken.” I-D Magazine 237, November 2003: 134-141.
Reynolds, Nigel. “A Giant Neon Sun Fills Tate Space.” The Daily Telegraph, 16 October 2003.
Román, Juan Carlos. “El artista que espera a que la naturaleza realice la obra de arte.” Arte y Parte 43, February-March 2003: 58-65.
Rosenberg, Angela. “Olafur Eliasson: Beyond Nordic Romanticism.” Flash Art International 36/230, May-June 2003: 110-113.
Rosenberg, Karen. “Room with a View.” The Village Voice, 14 May 2003: 49.
Saltz, Jerry. “After Shock.” Village Voice: Voice Choices, 5-11 November 2003: 86.
Searle, Adrian. “Reflecting on Sublime Smoke and Mirror.” Guardian, 16 October 2003.
Simons, Paul. “Art Show Puts Weather Anoraks in Their Element.” The Times, 16 October 2003.
S. M. “Dänemark (General meeting of art).” Art 6, June 2003: 19.
Smee, Sebastian. “The Artist who Paints with the Weather.” The Daily Telegraph, 30 September 2003.
Sommer, Tim and Dirk Reinartz. “Der grosse Jahrmarkt.” Art 8, August 2003: 10-29.
Sundell, Margaret. “Birth Canal.” Time Out New York, Issue 406, 10-17 July 2003.
Sundell, Margaret. “Second Nature: Olafur Eliasson and Phillipe Parreno Put a Cinematic Spin on the Nature-Versus-Culture Debate.” Time Out New York 399, 22-29 March 2003.
“The Five Best Exhibitions.” The Independent Review, 15 October 2003.
“The Five Best Shows in London.” The Independent, 11-17 October 2003.
“The Unilever Series: Olafur Eliasson.” Cort Newspaper, October 2003.
Vetrocq, Marcia E. “Venice Biennale: 'Every Idea But One.'” Art In America, September 2003.
Vogel, Carol. “Heat Upstages Art at the Venice Biennial.” The New York Times, 16 June 2003.
Ward, Ossian. “The Weather Man.” ArtReview 5, June 2003: 54-59.
Waxman, Lori. “New York Critics Picks: Olafur Eliasson.” Artforum.com, 6 June 2003.
2002
Alberge, Dalya. “Tate Hires Artist with a Big Natural Talent.” The Times, 11 November 2002.
Birnbaum, Daniel. “Where is Painting Now?” Tate: International Arts and Culture 1, September-October 2002: 60-63.
Blind Spot 21, Summer 2002.
Blom, Ina. “Jenseits des Atmosphärischen.” Parkett 64, May 2002: 24-31.
Bodker, Kirsten. “Tate Modern Hires Danish Artist.” Efterborsen, 27 November 2002.
Boyce, Roger. “Neither Here Nor There: Mirror Mirror at Mass MoCA.” Art New England, February-March 2003: 16-17, 74.
Boyer, Charles-Arthur. “Olafur Eliasson.” Art press 280, June 2002: 80-81.
Bretault, Geraldine. “Beaux Arts: What is Art Today?” 2002 Edition: 116-119.
Brooks, Adam. “Light Opera; Robert Greene.” Art Forum International, April 2002: 114-115.
Camhi, Leslie. “Cleaning the Mirror.” The Village Voice, 4 September 2002.
Colard, Jean-Max. “Avis de tempête.” Les Inrockuptibles, 3 April 2002: 84-85.
Corrigan, Susan.“The Beauty of Nature is Always beyond Our Control.” i-D 218, March 2002: 226-235.
Damianovic, Maia. “Olafur Eliasson: Musée d’Art Moderne de la Ville de Paris: Parigi.” Tema celeste, Issue 91, May-June 2002: 86, 94.
Ebony, David. “Art Fairs Energize New York Scene.” Art in America, April 2002: 35-37.
Eliasson, Olafur. “La stanza dei colori/The Room of Colours.” Ottagon 155, November 2002: 62-63.
Fricke-Waldthausen, Johannes. “Natur und Pop.” Quest 5, Summer 2002: 162-165.
Giuliano, Mike. “Photographers Enlarge on Bechers’ Earlier Works.” The Baltimore Sun, 11 January 2003.
Hall, David. “Head Games.” The Memphis Flyer 682, 14-20 March 2002.
“Icelandic artist.” Romeike Ltd, 27 November 2002.
Johnson, Ken. “'Thin Skin'; 'The Fickle Nature of Bubbles, Spheres and Inflatable Structures'.” The New York Times, 29 March 2002: E37.
Kinsella, Eileen. “Wise Buys: Experts Suggest Great Values in Today's Art Market.” Artnews, Summer 2002: 146-153.
Laubard, Charlotte. “L’Œil de Olafur Eliasson.” L’Œil, May 2002: 22-23.
Levin, Kim. “Voice Choices: Air.” The Village Voice, 22 January 2002: 68.
Mc Breen, Ellen. “Olafur Eliasson.” Art Monthly 257, June 2002: 35-37.
Mohal, Anna. “Olafur Eliasson im Musée d’Art Moderne.” Kunst-Bulletin, 5 May 2002: 55.
Morgan, Jessica. “Gartensozialismus.” Parkett 64, May 2002: 18-48.
“Olafur Eliasson: Iceland Series.” Blind Spot, Issue 21.
Østerby, Annette. “Etnographic Mapping: Olafur Eliasson.” Arken Bulletin, 2 January 2002: 22-25.
“Pass notes no. 2, 094: Olafur Eliasson.” Guardian, 21 November 2002.
Rondeau, James. “The Mobility of the Real: Olafur Eliasson is Now.” The Hugo Boss Prize 2002: 37-49.
Saltz, Jerry. “Another Opening, Another 85 Shows: Rays of Light.” The Village Voice, 22 January 2003.
Schäfer, Robert. “Grüne Architektur.” Architektur & Wohnen, October/November 2002: 132-140.
Sorbello, Marina. “Olafur Eliasson: neugerriemschneider: Berlino.” Tema celeste 88/89, January-February 2002: 95.
Steels, Luc, and Israel Rosenfield. “Human and Artificial Consciousness on the Move.” Janus 12, 2002: 4-10.
Troncy, Éric. “Olafur Eliasson: Fait la pluie et le beau temps.” Beaux-Arts 215, April 2002: 58-63.
“Your natural denudation inverted.” Harper's Magazine, June 2002: 30.
Zdanovics, Olga. “Reviews Midwest: Ann Arbor.” Art Papers Magazine 26/2, March-April 2002: 46-47.
2001
Allen, Jane Ingram. “Putting the Viewer First: Olafur Eliasson.” Sculpture (USA) 20, 8 October 2001: 28-33.
Bers, Miriam. “Berlino: dal neopop alla crossculture.” Tema Celeste, Issue 83, January-February 2001: 70-75.
Birnbaum, Daniel. “Olafur Eliasson. (Best of 2001: 10 Top Tens).” Artforum International, December 2001: 98-99.
Camhi, Leslie. “And the Artist Recreated Nature (or an Illusion of It).” The New York Times, 21 January 2001, Art+Architecture Section: 35.
Century, Testino, Mario. “Mario Testino’s Art Index.” V Magazine, May-June 2001.
Chen, Aric. “Spatial Transcendence.” Dutch, March-April 2001: 48.
Eakin, Hugh. “Magic Kingdom.” Art News 100, 11 December 2001: 116-117.
Eliasson, Olafur. “Think with me about your Extension of Now.” Cabinet: A Quarterly Magazine of Art and Culture 3, Summer 2001: 64–65.
Engler, Martin. “Olafur Eliasson im ZKM.” Kunst-Bulletin 7/8, July-August 2001: 44-45.
Heartney, Eleanor. “Olafur Eliasson at Bonakdar Jancou.” Art in America, February 2001: 135.
Hughes, Jeffrey. “St. Louis: Contemporary Art at SLAM.” New Art Examiner, May-June 2001: 32-33.
Hunt, David. “Olafur Eliasson.” Flash Art International 34/216, January-February 2001: 111-112.
“The iceman cometh,” i-D, April 2001: 7.
Jones, Kristin M. “Olafur Eliasson.” Frieze 59, May 2001: 96-97.
Loschwitz, Gesa. “Landschaften im Kunsthaus Bregenz: Ausstellung ‘The Mediated Motion’ von Olafur Eliasson.” Garten + Landschaft 111/5, 2001: 7.
Luna Córnea 21/22, 2001: 6.
“Olafur Eliasson.” Apparat: The Magazine of Reykjavik Collection 4, Fall-Winter 2001: 216-231.
“Olafur Eliasson im Kunsthaus.” Kunst-Bulletin, 5 May 2001: 47-48.
Richard, Frances. “Olafur Eliasson.” Artforum International, January 2001: 136.
Sherman, Mary. “Olafur Eliasson.” Art News 100, 4 April 2001: 147.
Sherman, Mary. “Special Effects; Olafur Eliasson Brings his Versions of Natural Phenomena to the ICA.” Boston Herald, 6 February 2001.
Silver, Joanne. “Unnatural Wonders.” Boston Herald, 26 January 2001.
Temin, Christine. “Icelandic Circles Ring the ICA.” The Boston Globe, 27 January 2001: F1, F5.
Unnützer, Petra. “Olafur Eliasson: Surroundings Surrounded: ZKM Karlsruhe.” Kunstforum International 156, August-October 2001: 422-423.
“What's Next.” 032c, Winter 2001-2002: 44-45.
2000
Archer, Michael. “Over the Edges.” Art Monthly 236, May 2000: 33-35.
Artner, Alan. “Playing with Perception.” Chicago Tribune, 11 June 2000.
Berg, Ronald. “Wer wird Millionär?” Zitty, Number 20, 2000: 56.
Camper, Fred. “Nature Containers.” Chicago Reader, 4 August 2000.
Carrier, David. “Pittsburgh Carnegie International.” The Burlington Magazine 142/1163, February 2000: 128-129.
“100 artists of the Year 2000.” Very New Art, 2000: 13-16.
Decter, Joshua. “Panorama 2000.” Flash Art International 33/210, January-February 2000: 43, 112.
Eliasson, Olafur. “Spiralpavillon: 2000.” Louisiana Revy 41, 1 September 2000: 70-71.
“The German Open: Wolfsburg.” Flash Art International 33/210, January-February 2000: 43.
Gohlke, Gerrit. “Panorama und Revierkampf.” BE Künstlerhaus Bethanien Berlin, 6 September 2000: 21-26.
Grasskamp, Walter. “Kunst in der Stadt.” Frame 2, March-April 2000: 60-67.
Groertz, Thomas. “100000 Mark für junge Kunst.” Art 10, October 2000: 94-95.
Hawkins, Margaret. “Olafur Eliasson.” Chicago Sun-Tribune, 10 June 2000.
Hess, Barbara. “Nase im Wind: Olafur Eliasson: ‘Surroundings Surrounded:’ Neue Galerie am Landesmuseum Joanneum, Graz.” Texte zur Kunst, Issue 10/39, September 2000: 143-147.
Jothady, Manisha. “Olafur Eliasson: Surroundings Surrounded: Neue Galerie Graz.” Frame 3, July-August 2000: 137.
Jowitt, Deborah. “Merce’s Major Events.” Village Voice 21, November 2000: 83.
Koplos, Janet. “Job Koelewijn and Olafur Eliasson at De Appel.” Art in America, February 2000: 151.
Kunz, Sabine. “Olafur Eliasson: Installationen aus Luft und Licht.” Art 3, March 2000: 62-67.
Leffingwell, Edward. “Carnegie Ramble.” Art in America, March 2000: 86-93, 142.
Levin, Kim. “Turning the Gallery Inside Out: Natural Wonder.” Village Voice, 14 November 2000: 77.
Lübbke, Maren. “Olafur Eliasson: Surroundings Surrounded.” Camera Austria 71, 2000: 61.
“Olafur Eliasson: Your Now Is My Surroundings.” Time Out New York 269, 16–23 November 2000.
“Olafur Eliasson.” The New Yorker, 20 November 2000: 21.
Prandi, Lucia. “Over the Edges: the Street Corners of Gent.” Tema Celeste: 111.
Rondeau, James and Thomas Hirshorn. The Art Institute of Chicago. 2000.
Sandqvist, Gertrud. “Olafur Eliasson.” Afterall 2, 2000: 107-110.
Siegel, Katy. “1999 Carnegie International.” Artforum, January 2000: 105-106.
Smith, Roberta. “Olafur Eliasson.” New York Times, 17 November 2000: E41.
Spiegl, Andreas. “Olafur Eliasson: Non-Trueness as the Nature of Theatre.” Afterall, Issue 2, 2000: 99-106.
Thorsteinn, Einar. “Nokkur n´yleg verk eftir Ólaf Elíasson.” Avs arkitektúr verktækni og skipulag 2/3, 2000: 90/91.
Wailand, Markus. “Olafur Eliasson: Neue Galerie: Graz.” Frieze 54, September-October 2000: 127-128.
Wiensowski, Ingeborg. “Olafur Eliasson.” KulturSPIEGEL, 4 April 2000: 26.
Wiensowski, Ingeborg. “Plopp: plopp.” SPIEGELreporter, 4 April 2000: 138.
1999
Arnason, Gunnar. “Olafur Eliasson’s Work Is Both Visually Arresting and Intellectually Intriguing.” Nu: The Nordic Art Review, 1 January 1999: 84-85.
Arning, Bill. “Carnegie Dilly.” Time Out New York 218, 25 November - 2 December 1999.
Brenson, Michael, and Madeleine Grynsztejn. “Fact and Fiction.” Artforum International, September 1999: 67-70.
Bretault, Géraldine. “Nature as Experience.” Beaux Arts, December 1999: 114-117.
“Carnegie International 1999/2000.” Essay by Madeleine Grynsztejn: 32-33, 102, 170.
Cotter, Holland. “Update on Berlin since the Wall.” The New York Times, 12 November 1999: B37.
Dannatt, Adrian. “The Old Masters of Tomorrow.” The Art Newspaper, December 1999.
Eliasson, Olafur and Mika Hannula. “Berliner Romanze.” Neue Bildende Kunst, 9 July 1999: 46-51.
Fortes, Márcia. “XXIV São Paul Biennial.” Frieze 44, January-February 1999: 87-88.
Gedin, Andreas. “Grönt vatten och en bombad kurdisk by.” Moderna Museets Vänners tidskrift 2, 1999: 6-12.
Hannula, Mika. “To Focus a Show in the Far North on Eccentricity Takes Guts.” Nu: The Nordic Art Review, 1 February 1999: 82.
Hohmann, Silke. “Transparenz als Prinzip.” Journal Frankfurt 13, 1999: 38.
Huther, Christian. “To the People of the City of Euro: Kunstverein Frankfurt/Main.” Kunstforum International 147, September-November 1999: 417-418.
Johnson, Ken. “Turning the Museum into a Vast Menora.” The New York Times, 1 January 1999.
Leffingwell, Edward. “Report from São Paulo: Cannibals All.” Art in America, May 1999: 46-55.
Lind, Maria. “Raumnachbildung und Erfahrungsräume: einige Überlegungen zur Ortsbezogenheit in der Gegenwartskunst.” Parkett 54, December 1998-January 1999: 186-190.
Meyer, Christian and Mathias Poledna. Sharawadgi Felsenvilla, 1999.
Miles, Christopher. “Olafur Eliasson: Marc Foxx.” Artforum International, March 1999: 119.
Olafur Eliasson: Sospensione. Copybook on occasion of the Venice Biennale, containing photos and sketches of the newly installed fire extinguisher built after the fire in the opera. Venice: Biennale Venice, 1999.
Phillips, Christopher. “Art for an Unfinished City.” Art in America, January 1999: 62-69.
Potter, Chris. “Carnegie International.” Pittsburgh City Paper, 3 November 1999.
Shearing, Graham. “Reviewing the Carnegie International.” Tribune Review, 28 November 1999.
Turner, Elisa. “Photos Capture People Estranged from their Surroundings.” The Miami Herald, 10 January 1999: 8I.
Verwoert, Jan. “Berlin Biennale.” Frieze 44, January-February 1999: 91-92.
Weh, Vitus H. “Sharawadgi, Felsenvilla, Baden.” Kunstforum International 143, January-February 1999: 410-411.
Williams, Eliza. Zoo, 1999: 158-159.
Winkelmann, Jan. “Olafur Eliasson: Op het ijs bij 37°C.” Metropolis M. 1, February/March 1999: 42-45.
Wulffen, Thomas, et al. “Berlin Biennale.” Kunstforum International 143, January-February 1999: 290-310.
1998
Arning, Bill. “Camera Shy.” Time Out New York, Issue 165, 19-26 November 1998.
Babias, Marius. “Love Parade der Künste.” Zitty, Issue 20, 1998: 54-60.
Berrebi, Sophie. “Nuit Blanche: Musée d’Art Moderne de la Ville de Paris.” Frieze, Issue 40, May 1998: 88-89.
Birnbaum, Daniel. “Openings: Olafur Eliasson.” Artforum International, April 1998: 106-107.
Cameron, Dan. “The New Melting Pot.” Flash Art International, Issue 31/202, October 1998: 90-92.
Eliasson, Olafur, and Barbara Steiner. “Gegen die Zeit gehen.” Kunst-Bulletin, January/February 1998: 10-17.
Freitag, Michael. “Berlin Biennale.” Neue Bildende Kunst 6, December/January 1998: 18-25.
Grant, Simon. “Olafur Eliasson: Poetry in Motion.” Tate: The Art Magazine, Issue 19, Winter 1998: 12.
Haye, Christian. “The Iceman Cometh.” Frieze, Issue 40, May 1998: 62-65.
Haye, Christian. “Om Olafur Eliasson.” Paletten 59/233, April 1998: 24-25.
Levin, Kim. “Voice Choices: Short List.” The Village Voice, 2 June 1998: 86.
Reindl, Uta M. “Interferencias: Sala de Exposiciones del Canal de Isabel II. Madrid.” Kunstforum International, Issue 141, July-September 1998: 434-435.
Stange, Raimar. “Olafur Eliasson.” Artist Kunstmagazin 35, April 1998: 30-33.
Volk, Gregory. “Olafur Eliasson: Fire and Iceland.” Art News 97, April 1998: 200.
Winkelmann, Jan. “Olafur Eliasson.” Art/Text 60, 1998: 44-49.
Wulffen, Thomas. “The Berlin Show” Kunstforum International 142, October-November 1998: 364-367.
1997
Bonami, Francesco. “Psychological Atmospheres.” Siksi (Finland), Issue 12/3, Fall 1997: 49-55.
Christofori, Ralf. “Die natürliche Ordnung der Dinge: Olafur Eliasson in der Kunsthalle Basel.” Neue Bildende Kunst, Issue 7, February 1997: 99-100.
Mitchell, Charles Dee. “Report from Santa Fe: New Narratives.” Art in America, November 1997: 42-47.
Reust, Hans Rudolf. “Olafur Eliasson: Basel Kunsthalle.” Artforum International, Summer 1997: 146.
1996
Bonami, Francesco. “Olafur Eliasson.” Flash Art International, Issue 29/188, May-June 1996: 105.
Herbstreuth, Peter. “Schauder des Glücks.” Der Tagesspiegel, 25 June 1996: 18.
Levin, Kim. “Galleries.” The Village Voice, May 1996.
Rapko, John. “Glow at New Langton Arts.” Art Week, July 1996: 20.
Schneider, Christiane. “Olafur Eliasson: neugerriemschneider: Berlin.” Frieze 26, January-February 1996: 77-78.
Smith: C. “Olafur Eliasson at Tanya Bonakdar.” Art in America, December 1996: 92-93.
Smith, Roberta. “Enter Youth, Quieter and Subtler.” The New York Times, 17 May 1996.
1995
Metzel, Tabea. “Olafur Eliasson.” Zitty 25, 1995: 132.
Anthologies and catalogues of group exhibitions
2008
Arte Contemporanea: Scenari e Materiali. Special edition by il Gruppo Editoriale L'Espresso S.p.A., 94. Milan: La Biblioteca di Repubblica-L'Espresso, 2008.
Das Sehen sehen. Neoimpressionismus und Moderne. Signac bis Eliasson. Edited by Matthias Haldemann, cover image, 126, 127, 129, 172-175. Exhibition catalogue. Zug: Kunsthaus Zug; Ostfildern: Hatje Cantz Verlag, 2008.
Gärtner, Barbara. "The weather project." In Stations: 100 Meisterwerke Zeitgenössischer Kunst. Edited by Amélie von Heydebreck, 152-153. Cologne: DuMont Buchverlag, 2008.
True North. Exhibition catalogue, 36-39. Berlin: Deutsche Guggenheim; Ostfildern: Hatje Cantz Verlag, 2008.
Ulrich Obrist, Hans."Olafur Eliasson." Interview. In In Conversations, 217-226. Paris: Manuella Éditions, 2008.
2007
1940s to Now: Guggenheim Collection. Edited by The Solomon R. Guggenheim Foundation, 228-229. Exhibition catalogue. Melbourne: National Gallery of Victoria, 2007.
Eckmann, Sabine and Lutz Koepnick. Window Interface. With contribution by Anne Fritz. Exhibition catalogue, 60, 68-69. St. Louis: Mildred Lane Kemper Art Museum, Washington University, 2007.
Findings on Ice. Edited by Hester Aardse & Astrid van Baalen, 44-49. Amsterdam: Pars Foundation; Baden: Lars Müller Publishers, 2007.
"I can only see things when I move". Positionen zeitgenössischer Kunst auf Paper. Edited by Katharina Hoins et al., 8. Dresden: Kupferstitch-Kabinett, Staatliche Kunstsammlungen Dresden; Munich / Berlin: Deutscher Kunstverlag, 2007.
Inhotim Centro de Arte Contemporânea catalogue. Belo Horizonte, 2007.
Obrist, Hans Ulrich. "Olafur Eliasson: From Exhibition Space to Architectural Space." In DLD 2007: Book for Friends. Edited by Robert Jacobi, 206-209. Munich: DLD (Digital, Life, Design), 2007. Previously in: Colour Memory and Other Informal Shadows: Olafur Eliasson. Edited by Caroline Eggel / Studio Olafur Eliasson and Marit Woltmann. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004.
Obrist, Hans Ulrich. “What Eliasson and Fridfinnsson teach us.” In Distance. Edited by Koji Mizutani, 126-133. Tokyo: Infas Publications, 2007.
Meister, Carolin. "Konvulsivische Natur: Olafur Eliassons Phänomenotechnik." In Vermessen: Landschaft und Ungegenständlichkeit. Edited by Werner Busch and Oliver Jehle, 13-31. Zürich/BerlIn diaphanes, 2007.
Nature Design. Edited by Angeli Sachs and Museum Für Gestaltung Zürich, 132-135. Exhibition catalogue. Baden: Lars Müller Publishers, 2007.
Natural metaphor. An Anthology of Essays on Architecture and Nature. Edited by Joseph Lluis Mateo, 112-123. Barcelona/New York: Actar, 2007.
Oris 48. Edited by Vera Grimmer, 18-27. Zagreb: Arhitekst, 2007.
FOTO.KUNST. Edited by Lucie Binder-Sabha and Silvia Köpf, 99-101. Klosterneuburg/Wien: Edition Sammlung Essl, 2007.
Gehen. Bleiben; Bewegung, Körper, Ort in der Kunst der Gegenwart. Edited by Volker Adolphs and Philip Norten, 178-181. Ostfildern: Hatje Canz Verlag; Bonn: Kunstmuseum Bonn, 2007.
Art in action: Nature, Creativity and Our Collective Future. Edited by Raoul Goff et al. , 16-17. San Rafael: Earth Aware Editions, 2007.
Kunstmaschinen Maschinenkunst / Art Machines Machine Art. Edited by Katharina Dohm et al., 56-63. Heidelberg: Kehrer Verlag Heidelberg; Frankfurt: Shirn Kunsthalle Frankfurt; Basel: Museum Tinguely, 2007.
2006
Anstoss Berlin, 74-75. BerlIn Haus am Waldsee, 2006.
Bjerge I Dansk Kunst - fra Willumsen til Parfyme. Exhibition catalogue, 58-59. Herning: Herning Kunstmuseum, 2006.
Bühne des Lebens - Rhetorik des Gefühls. Stage of Life - Rhetorics of Emotion. Exhibition catalogue, 134. Munich: Städtische Galerie im Lenbachhaus München, 2006.
Constructing New Berlin. Exhibition catalogue, 86-89, 134. Phoenix: Phoenix Art Museum, 2006.
Der erste Blick. Die Sammlung GAG. Exhibition catalogue, 50-51. Weimar: Klassik Stiftung Weimar, 2006.
Fantastic Politics. Art in Times of Crisis / Fantastisk politikk. Kunst i turbulente tider. Exhibition catalogue, 116-119. Oslo: Nasjónalmuseet for Kunst, Arkitektur og Design, 2006.
FASTER! BIGGER! BETTER! Signierte Werke der Sammlungen im ZKM / Museum für Neue Kunst. Edited by Gregor Jansen and Peter Weibel, 100-101. Cologne, 2006.
Eye on Europe. Prints, Books & Multiples / 1960 to Now. Edited by Deborah Wye and Wendy Weitman. New York: The Museum of Modern Art, 2006.
Vitamin Ph. New Perspectives in Photography. London, 2006: 84-87.
Hans Ulrich Obrist, ...dontstopdontstopdontstopdontstop. New York/Berlin, 2006: 99-103.
Intensive Science. Exhibition catalogue, 10-12. Paris: La Maison Rouge, 2006.
L’art moderne et contemporain. Edited by Serge Lemoine, 304-305. Paris, 2006.
One Year Celebration. A Poster Project. Edited by Peter Huyghe. Gent, 2006.
Skaalanihe. Shiftscale. Sculpture at the Extended Field. Exhibition catalogue. Tallinn: Kumu Art Museum, 2006.
Testigos / Witnesses. Exhibition catalogue. NMAC Foundation. Milan 2006: 86-89.
The air is blue. Insights on art & architecture: Luis Barragán Revisited. Edited by Hans Ulrich Obrist and Pedro Reyes, 50-53. Mexico: LAR / Fernando Romero, 2006.
The Expanded Eye. Sehen - entgrenzt und verflüssigt. Exhibition catalogue, 206. Zurich: Kunsthaus Zürich, 2006.
Visuell – Blind Date. Neuerwerbungen der Sammlung Deutsche Bank. Exhibition catalogue, 31, 208. Galerie Kunstforum Seligenstadt, 2006.
2005
Lichtkunst aus Kunstlicht. Licht als Medium der Kunst im 20. und 21. Jahrhundert. Light art from artificial light. Light as a Medium in 20th and 21st Century Art. Edited by Peter Weibel and Gregot Jansen. Exhibition catalogue. Karlsruhe, 2005-2006.
Always a Little Further. Exhibition catalogue, 94-99. La Biennale di Venezia, 51. International Art Exhibition. Venice 2005.
Arte All’Arte 10. Arte Architettura Paesaggio. San Gimignano 2005: 42-47.
Castello di Rivoli, 20 Anni d’Arte Contemporanea. Milan 2005: 314-315.
Expérience de la durée. Exhibition catalogue. Lyon: Biennale de Lyon, 2005: 126-129.
Hannula, Mika - Suoranta, Juha -Vadén, Tere. Artistic Research - Theories, Methods and Practices, published by Academy of Fine Arts, Helsinki, Finland and University of Gothenburg / ArtMonitor, Gothenburg. Sweden 2005: 130-136.
Here Comes the Sun. Exhibition catalogue. Stockholm: Magasin 3 Stockholm Konsthall, 2005.
Material Time, Work Time, Life Time. Exhibition catalogue, 26-33. Reykjavik: Reykjavik Arts Festival, 2005.
Tirana Biennale 3, Sweet Taboos. Tirana 2005: 60-63, 371.
Wolkenbilder. Die Erfindung des Himmels. Exhibition catalogue. Aarau: Aargauer Kunsthaus, 2005.
2004
Architecture Now III. Edited by Philip Jodidio, 178-182. Cologne, 2004.
Bewegliche Teile. Formen des Kinetishcen. Basel: Kunsthaus Graz am Tinguely, 2004-2005: 204-205.
ein-leuchten. Edited by Daniela Zyman, 57-63. Exhibition catalogue. Vienna: Museum der Moderne Salzburg, 2004.
Invisible. Exhibition catalogue, 128-133. Siena: Palazzo delle Papesse Centro Arte Contemporanea, 2004.
Landscape and Memory, Exhibition catalogue. Centro Atlántico de Arte Moderno. 2004.
Limelette, Contemporary Photographs. Edited by Von Group Lhoist Collection, Limelette, 2004: 144-147.
Los usos de la imagen. Exhibition catalogue, 186-188. Buenos Aires: La Colleción Jumex, 2004.
Medvedow, Jill and Carole Anne Meehan. “Vita: History, Landscape, and Art 1998-2003.” Boston: Institute of Contemporary Art; Steidl, 2004.
Recherche - entdeckt! Bildarchive der Unsichtbarkeiten. Edited by Andreas Bauer with Ludwig Seyfarth, 202-215. Exhibition catalogue. Esslingen: 6 Internationale Foto-Triennale, 2004.
Sensi contemporanei in Campania dalla 50tesima Esposizione Internazionale d’Arte della Biennale di Venezia, Exhibition catalogue. Edited by Francesco Bonami with Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija, 31. Bari, 2004.
The Encounters in the 21st Century: Polyphony - Emerging Resonances, Exhibition catalogue, 32-33. Kanazawa: 21st Century Museum of Contemporary Art, 2004-2005.
Werke aus der Sammlung Boros. Edited by Götz Adriani, 72-93. Exhibition catalogue. Stuttgart: Museum für Neue Kunst | ZKM Karlsruhe, 2004.
2003
After the Observatory. Exhibition catalogue. New York: Paula Cooper Gallery, 2003.
Coysh, Louise. “Olafur Eliasson.” In The Straight or Crooked Way: Curating Experience. Exhibition catalogue, 65-68. London: Royal College of Art, 2003.
Eggel, Caroline. “Ohne einen Glaspalast ist das Leben eine Last.” In No Art = No City! Stadtutopien in der zeitgenössischen Kunst/Urban Utopias in Contemporary Art. Edited by Florian Matzner et al., 43-45. Exhibition catalogue. Bremen: Städtische Galerie im Buntentor; Ostfildern-Ruit, 2003.
Einbildung: Das Wahrnehmen in der Kunst/Imagination: Perception of Art. Edited by Peter Pakesch, 78-79. Exhibition catalogue. Graz: Kunsthaus Graz; Cologne, 2003.
Eliasson, Olafur. “Museums are Radical.” In Jahresring 50. Jahrbuch für moderne Kunst. Edited by Marjorie Jongbloed et al., 180-185. Cologne, 2003.
Eliasson, Olafur. “Quasi Brick Wall: Pared de ladrillos quasi.” In Fundación NMAC 2002/2003. Exhibition catalogue, 22-27. Fundación NMAC, Montenmedio Arte Contemporáneo; Vejer de la Frontera, 2003.
History of Modern Art, 5th Edition, 763. London: Laurence King Publishing Ltd., 2003.
Imperfect Innocence: The Debra and Dennis Scholl Collection. Edited by Diana Murphy, 70-71. Exhibition catalogue. Baltimore: Contemporary Museum, Baltimore; Lake Worth: Palm Beach Institute of Contemporary Art, 2003.
Jakobsen, Lise, and Gitte Ørskou. “Olafur Eliasson.” In Dreams and Conflicts: The Dictatorship of the Viewer: La Biennale di Venezia: 50th International Art Exhibition. Exhibition catalogue, 520-521. Venice: 50 Biennale Venice, 2003.
Kopplin, Bärbel. “Olafur Eliasson.” In Münchens neue Altstadt: Schäfflerhof-Fünf Höfe. Munich 2003: 32-33.
Kretzschmar, Iris. ”Spiel mit dem einfallenden Sonnenlicht.” In Hybride Zonen: Kunst und Architektur in Basel und Zürich/Hybrid Zones: Art and Architecture in Basel and Zurich. Eds. Sybille Omlin and Karin Frei Bernasconi. Basel 2003: 138-139.
Obrist, Hans Ulrich. “Olafur Eliasson.” In Interviews: Volume I. Edited by Thomas Boutoux, 193-209. Milan, 2003.
Rent-a-Bench. Exhibition catalogue, 19, 75. Kolding: Trapholt Museum, 2003.
See History 2003: Eine Sammlung wird ausgestellt. Edited by Dirk Luckow, 17. Exhibition catalogue. Kiel: Kunsthalle zu Kiel der Christian-Albrechts-Universität, Schleswig-Holsteinischer Kunstverein Kiel, 2003.
Subjective Realities, Refco Collection of Contemporary Photography, 2003.
Svjetlina: Djela iz Thyssen-Bornemisza Zaklade za suvremenu umjetnost/Brightness: Works from the Thyssen-Bornemisza Contemporary Art Foundation. Exhibition catalogue, 30-33. Museum of Modern Art; Dubrovnik, 2003.
The Fifth System: Public Art in the Age of “Post-Planning.” Exhibition catalogue, 55-65. The 5th Shenzhen International Public Art Exhibition.
Tirana Biennale 2. Exhibition catalogue. Tirana: Biennale Tirana, 2003.
2002
Archer, Michael. Art Since 1960. New edition, 240. New York, 2002.
Ars Photographica: Fotografie und Künstlerbücher. Edited by Anne Thurmann-Jajes, 166. Exhibition catalogue. Neues Museum Weserburg; Bremen, 2002.
Art Now: 137 Artists at the Rise of the New Millenium/137 Künstler zu Beginn des 21. Jahrhunderts/137 artistes au commencement du 21ème siècle. Edited by Uta Grosenick and Burkhard Riemschneider, 132-135. Cologne, 2002.
Art Now: 137 Artists at the Rise of the New Millennium. Edited by Uta Grosenick and Burkhard Riemschneider, 132-135. Cologne, 2002.
Clausen, Barbara. “Olafur Eliasson.” In Thin Skin. The Fickle Nature of Bubbles: Spheres: and Inflatable Structures. Edited by Independent Curators International. Exhibition catalogue, 32-33. New York: AXA Gallery; Scottsdale: Scottsdale Museum of Contemporary Art; Gemeentemuseum Helmond; Chicago: McAllen International Museum, Chicago Cultural Center; Edward A. Ulrich Museum of Art, Wichita State University. Wchita: Boise Art Museum, 2002.
Dialoghi Europei d’arte: Città di Napoli. Edited by Anna Casotti, 75-92. Exhibition catalogue. Naples: Castel dell’Ovo and Castel Nuovo; Milan, 2002.
Diamanti: Arte. storia. Scienza. Exhibition catalogue, 44-45. Scuderie del Quirinale; Rome, 2002.
Eliasson, Olafur. “Lo único que tenemos en común é que somos diferentes.” In XXVII Bienal de Arte de Pontevedra: Narrando: espacios: tiempos: historias. Exhibition catalogue, 54-57, 206-207. Pontevedra: Pazo da Cultura de Pontevedra, 2002.
EVN Sammlung: Ankäufe 2000-2002. Edited by EVN AG, 16. Maria Enzersdorf, 2002.
Formanek, Verena. “‘Your Spiral View’ von Olafur Eliasson.” In Claude Monet … bis zum digitalen Impressionismus. Exhibition catalogue, 226-235. Riehen: Fondation Beyeler; Munich, 2002.
Golart Stiftung München 1997-2001. Munich, 2002.
Katalog 32. Statens konstråd 2002. Edited by Susanne Eriksson, 12-15, 64-67. Stockholm, 2003.
No Return. Exhibition catalogue, 128-129. Städtisches Museum Abteiberg; Mönchengladbach, 2002.
Oluf Høst i dialog med nutiden. Edited by Anna Krogh and Jens Erik Sørensen. Exhibition catalogue, 25. Aarhus: Kunstmuseum Aarhus, 2002.
“Qu’est-ce que l’art?/What Is Art Today?” Beaux-Arts Magazine, special issue. Paris 2002: 116-119.
Radar: Electronic Integration. Exhibition catalogue, 14-15. Copenhagen; Malmö, 2002.
Rondeau, James. “The Mobility of the Real: Olafur Eliasson Is Now.” In The Hugo Boss Prize 2002: Francis Alÿs, Olafur Eliasson, Hachiya Kazuhiko, Pierre Huyghe, Koo Jeong-a, Anri Sala. Exhibition catalogue, 37-49. New York: Solomon R. Guggenheim Museum, 2002.
Schoen, Anne. ”Olafur Eliasson.” In Künstler: Kritisches Lexikon der Gegenwartskunst, 58, no 11, 2nd quarter. Munich, 2002.
Skucpanjol, Igor. ”Rhythmical Images.” In Galerija Skuc 1999/2000. Edited by Gregor Podnar. Exhibition catalogue, 94-95. Galerija kuc; Ljubljana, 2002.
The Object Sculpture. Exhibition catalogue, 146-149. Leeds: Henry Moore Institute, 2002.
2001
6th Carribean Biennial. Exhibition catalogue. The Golden Lemon, St. Kitts. Dijon 2001, no page numbers.
Arts in Transit: 2000-2001 Catalog. Edited by Arts in Transit, Bi-State Development Agency. St. Louis, 2001: 6-9.
Aubette: Het verlangen naar een (andere) plaats. Exhibition catalogue, 30-33. Museum Dhondt-Dhaenens; Deurle, 2001.
Cavallucci, Fabio and Pier Luigi Tazzi. ”Refreshing.” In La Biennale di Venezia: 49. Esposizione Internazionale d’Arte: Platea dell’umanita. Exhibition catalogue, 306-307. Venice: Biennale Venice, 2001, vol. 1.
Eliasson, Olafur. “457 Words on Color.” In Bridge the Gap? Programme Book. Edited by Miyake Akiko et al., 76-77. Kitakyushu: CCA Center for Contemporary Art, 2001.
Eliasson, Olafur. “Die einzige Sache, die wir gemeinsam haben, ist, dass wir verschieden sind.” In Public Art: Kunst im öffentlichen Raum. Edited by Florian Matzner, 443-445. Ostfildern-Ruit, 2001.
En pleine terre: Eine Wanderung zwischen Landschaft und Kunst: Spiral Jetty und Potsdamer Schrebergärten. Exhibition catalogue. Museum für Gegenwartskunst Basel der öffentlichen Kunstsammlungen Basel und der Emanuel Hoffmann-Stiftung. Basel, 2001.
Everything Can Be Different. Exhibition catalogue. Ann Arbor: Jean Paul Slusser Gallery, University of Michigan School of Art and Design; Memphis: Art Museum, University of Memphis; Baltimore: Maryland Institute College of Art; New York, 2001.
Form Follows Fiction/Forma e finzione nell’arte di oggi. Edited by Jeffrey Deitch. Exhibition catalogue. Turin: Castello di Rivoli, Museo d’Arte Contemporanea; Milan 2001.
Freestyle: Werke aus der Sammlung Boros. Exhibition catalogue, 82-98, 154. Leverkusen: Museum Morsbroich; Cologne, 2001.
International Triennale of Contemporary Art Yokohama 2001. Edited by Makabe Maori and Mikami Yutaka. Exhibition catalogue, 30-31, 200-201. Yokohama, 2001.
Kunstwegen: Das Reisebuch: Kunst. Natur und Geschichte im deutsch-niederländischen Vechtetal. Edited by Martin Köttering and Roland Nachtigäller, 244-249. Nordhorn, 2001.
Neue Welt. Edited by Nicolaus Schafhausen, 40-41. Exhibition catalogue. Frankfurt/Main: Frankfurter Kunstverein, 2001.
Reust, Hans-Rudolf. “Olafur Eliasson.” In Black Box: Der Schwarzraum in der Kunst. Edited by Ralf Beil, 108-113. Exhibition catalogue. Kunstmuseum Bern; Ostfildern-Ruit, 2001.
Trummer, Thomas. “Olafur Eliasson: Cartographic Series: 2000.” In The Waste Land: Wüste und Eis: Ödlandschaften in der Fotografie. Edited by Thomas Trummer, 128-135. Exhibition catalogue. Zentrum für zeitgenössische Kunst der Österreichischen Galerie Belvedere; Atelier Augarten; Vienna, 2001.
2000
de Corral, María. “Olafur Eliasson: Deus ex machina.” In ForwArt: A Choice. Exhibition catalogue, 28-33. BBL; Brussels, 2000.
Christofori, Ralf. "The Vitality of Non-Orthogonal Abstraction," In Raumkörper. Basel: Kunsthalle Basel, 2000.
Crary, Jonathan. “Olafur Eliasson.” In Amnon Barzel, Targetti Artlight Collection 2000. 148-153.
Eliasson, Olafur. “synaesthetics.” In TRANS>arts:cultures: media #8. Santa Monica. 92-107.
The Greenhouse Effect. Edited by Ralph Rugoff and Lisa G. Corrin, 52-53. Exhibition catalogue. London: Serpentine Gallery, 2000.
Matzner, Florian. “Erwünschte Momente: Kunst und Stadt in den 90er Jahren.” In Unerwünschte Momente: Moderne Kunst im Stadtraum. Edited by Walter Grasskamp, 3rd edition, 171-192. Munich, 2000.
Organising Freedom: Nordisk 90-talskonst/Nordic Art of the 90’s. Edited by David Elliott, 50-53. Exhibition catalogue. Stockholm: Moderna Museet, 2000.
Over the Edges. Book of pictures no. 13. Exhibition catalogue, 86-89. SMAK Stedelijk Museum voor Actuele Kunst; Gent, 2000.
Panorama 2000: Kunst in Utrecht te zien vanaf de Domtoren/Art in Utrecht Seen from the Dom Tower. Edited by Marja Bosma et al., 52-55. Exhibition catalogue. Centraal Museum; Utrecht, 1999.
Preis der Nationalgalerie für junge Kunst. Edited by Verein der Freunde der Nationalgalerie. Exhibition catalogue. Berlin: Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, 2000.
Raumkörper: Netze und andere Gebilde. Edited by Peter Pakesch. Exhibition catalogue. Basel: Kunsthalle Basel, 2000.
Steiner, Rochelle. “Olafur Eliasson: Interview.” In Wonderland. Exhibition catalogue, 55-59. St. Louis: St. Louis Museum of Art, 2000.
Syndrome. Exhibition catalogue. IASPIS Galleriet; Stockholm, 2000.
Times Are Changing: Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken der Kunsthalle Bremen 1950-2000. Edited by Kunstverein Bremen, 47. Exhibition catalogue. Bremen: Kunsthalle Bremen, 2000.
Vision og virkelighed: Forestillinger om det 20. århundrede/ Vision and Reality: Conceptions of the 20th Century. Exhibition catalogue, 70-71. Louisiana Museum for Moderne Kunst; Humlebæk, 2000.
Wanås 2000. Exhibition catalogue, 24-25. Knislinge: Stiftelsen Wanås Utställningar, 2000.
Wissenschaft und Kunst auf dem Campus Berlin-Buch. Edited by BBB, 34-35. Berlin: Biomedizinischer Forschungscampus Berlin-Buch, 2000.
Z2000: Positionen junger Kunst und Kultur. Edited by Akademie der Künste, 70. Berlin, 2000.
1999
A Project for the Castle. Exhibition catalogue, 314-315. Castello di Rivoli; Milan: Museum of Contemporary Art, 1999.
Art at the Turn of the Millennium/Ausblick auf das neue Jahrtausend. Edited by Uta Grosenick and Burkhard Riemschneider, 144-145. Cologne, 1999.
Arte all’Arte: IV Edizione 1999. Exhibition catalogue, 70-87. San Gimignano: Arte Continua, 1999.
Can You Hear Me? 2. Ars Baltica Triennale der Photokunst / 2nd Ars Baltica Triennial of Photographic Art. Edited by Kathrin Becker, 34-35, 120-121. Exhibition catalogue. Kiel: Stadtgalerie im Sophienhof; Cologne: Kunsthalle Rostock, 1999.
Carnegie International 1999 2000. Exhibition catalogue, 32-33, 102, 170. Pittsburgh: Carnegie Museum of Art, 1999.
Eliasson, Olafur. “Proposal for the ‘Sculpture Biennial 1999’.” In Skulptur-Biennale 1999 im Münsterland. Edited by Kreis Coesfeld, 80-85. Exhibition catalogue. Dülmen, 1999.
Giloy-Hirtz, Petra. Schöpfung. Exhibition catalogue, 112-115, 192. Munich: Karmelitenkirche; Diözesanmuseum Freising; Landshut: Heilig-Geist-Kirche; Ostfildern-Ruit, 1999.
Jensen, Marianne Krogh. “Olafur Eliasson.” In La Biennale di Venezia: 48. Esposizione Internationale d’Arte: dAPERTutto. Exhibition catalogue. Edited by Harald Szeemann. Venice 1999: 278-281.
Künstler für Kinder 1999. Published on the occasion of the benefit art auction for children, 1999, as part of the partnership between the city of Berlin and UNICEF. Berlin, 1999.
Kunstprojekte im Haus der Deutschen Wirtschaft: Wegweiser zu den Dauerinstallationen. Zum Kunstraum und zur Sammlung des Kulturkreises der deutschen Wirtschaft im BDI e. V. in Berlin. Edited by Kulturkreis der deutschen Wirtschaft im Bundesverband der Deutschen Industrie, 5-7. Berlin, 1999.
Like Virginity: Once Lost: Five Views on Nordic Art Now. Edited by Daniel Birnbaum and John Peter Nilsson, 74. Lund, 1999.
Parreno, Philippe. “My Days Are Shorter than Your T-Shirt.” In German Open: Gegenwartskunst in Deutschland. Exhibition catalogue. Wolfsburg: Kunstmuseum Wolfsburg; Ostfildern-Ruit, 1999.
Photography from the Martin Z. Margulies Collection. Exhibition catalogue, 28. Miami: The Art Museum at Florida International University, 1999.
Saman taivaan alla: Taidetta kaupungissa 1999-2000: Under samma himmel/Under the Same Sky. Edited by Jari-Pekka Vanhala, 46-51. Exhibition catalogue. Volume 4. Kiasma: Museum of Contemporary Art; Helsinki, 2000.
Sharawadgi. Edited by Christian Meyer and Mathias Poledna, 66-69. Exhibition catalogue. Baden: Felsenvilla; Cologne, 1999.
Sogni/Dreams. Edited by Francesco Bonami and Hans Ulrich Obrist, 36-37. Turin: Fondazione Sandretto Re Rebaudengo per l’Arte. Venice: Biennale Venice, 1999.
Sommerens mørke og lyse nætter/The Northern Summernights Dark and Light. Edited by Inge-Lise Ravn, 14-17. Exhibition catalogue. Aarhus: Aarhus Kunstbygning, 1999.
1998
Allerholm, Milou. “Olafur Eliasson: Parallel nutid.” In Statens konstråd årsskrift 1998. Stockholm 1998: 50-53.
Berlin/Berlin. Edited by Miriam Wiesel, 97-98. Exhibition catalogue. Berlin: Akademie der Künste, Postfuhramt, Kunst-Werke; Ostfildern-Ruit, 1998.
Cool Places. Exhibition catalogue. Contemporary Art Centre. Vilnius, 1998.
Cream: Contemporary Art in Culture: 10 Curators: 10 Writers: 100 Artists. London, 1998: 104-107.
Edstrandska Stiftelsens Konstnärsstipendiater 1998 / The Edstrand Foundation Art Prize 1998. Edited by Magnus Jensner, 24-27. Exhibition catalogue. Rooseum: Center for Contemporary Art; Malmö, 1998.
Eliasson, Olafur. “Olafur Eliasson.” In Kunst & Windenergie zur Weltausstellung. Exhibition catalogue, 48-51. Hannover: Rathaus der Landeshauptstadt Hannover, 1998.
Grant, Simon. “Olafur Eliasson.” In Every Day: 11th Biennale of Sydney. Edited by Jonathan Watkins, 90-91. Exhibition catalogue. Sydney: Biennale Sydney, 1998.
Hultmann, Kristina. “Olafur Eliasson: Your Compound View.” In Brytningstider: En bok om vår föränderliga värld. Stockholm. Stockholm, 1998: 104-109.
Jensen, Marianne Krogh. “Olafur Eliasson: Dinamarca.” In XXIV Bienal de São Paulo: Representações nacionais. Exhibition catalogue, 238-243. São Paulo, 1998.
La Ville. le jardin. la mémoire. Exhibition catalogue. Villa Medici; Rome: Académie de France à Rome, 1998.
Larsen, Lars Bang. “Olafur Eliasson.” In Something Is Rotten in the State of Denmark. Exhibition catalogue, 28-31. Museum Fridericianum; Kassel, 1998.
Nuit blanche: Scènes nordiques: Les années 90. Exhibition catalogue. Paris: Musée d’Art Moderne de la Ville de Paris, 1998.
Olsen, Sanne Kofod. “Olafur Eliasson.” In Mai 98: Positionen zeitgenössischer Kunst seit den 60er Jahren. Edited by Brigitte Oetker and Christiane Schneider, 67-68. Exhibition catalogue. Cologne: Kunsthalle Köln, 2000.
Pakkhus. Exhibition catalogue, 36-37. Moss: Momentum Nordic Festival of Contem¬porary Art, 1998.
“Projeto: Olafur Eliasson.” In XXIV Bienal de São Paulo: Roteiros: Roteiros: Roteiros: Roteiros: Roteiros: Roteiros: Roteiros.” Exhibition catalogue, 20-21. São Paulo, 1998.
Schmidt, Eva. “Olafur Eliasson.” In Do All Oceans Have Walls? Edited by Horst Griese and Eva Schmidt, 24-29. Exhibition catalogue. Bremen: Städtische Galerie im Buntentor, 1998.
Seamless: Curatorial Training Programme 97/98. Exhibition catalogue. Amsterdam: De Appel, 1998.
Sightings: New Photographic Art. Exhibition catalogue. London: Institute of Contemporary Art, 1998.
Transatlántico: Diseminación. cruce y desterritorialización. Exhibition catalogue, 76-81. Las Palmas: Centro Atlántico de Arte Moderno, 1998.
Vingt mille lieues/lieux sur l’esker: 3e Symposium en arts visuels de l’Abitibi-Témiscamingue. Centre d’exposition d’Amos. 1998: 40, 69.
1997
Alikeness. Exhibition catalogue. Fitzroy: Centre for Contemporary Photography, 1997.
Kunstpreis der Böttcherstraße in Bremen 1997. Exhibition catalogue, 20-25. Bonn: Bonner Kunstverein, 1997.
New Art. Edited by Roxana Marcoci et al., 51. New York, 1997.
On Life: Beauty: Translations and Other Difficulties: 5th International Istanbul Biennial. Edited by Emre Baykal, 86-87. Exhibition catalogue. Istanbul, 1997.
Stalke 1987-1997. Copenhagen: Stalke Galleri, 1997: 19, 39-41.
Studija Islandija: Islandijos iuolaikinis menas. Exhibition catalogue, 16. Vilnius: Contemporary Art Centre, 1997.
The Louisiana Exhibition: New Art from Denmark and Scania. Exhibition catalogue, 14. Louisiana Museum of Modern Art; Humlebæk, 1997.
Trade Routes: History and Geography: 2nd Johannesburg Biennale. Exhibition catalogue, 96-97. Johannesburg: Biennale Johannesburg, 1997.
Truce: Echoes of Art in an Age of Endless Conclusions. Edited by Janine Sieja. Exhibition catalogue. Santa Fe: SITE Santa Fe, 1997.
1996
Echoes: Contemporary Art at the Age of Endless Conclusions. Edited by Francesco Bonami, 182-183. New York, 1996.
Manifesta 1. Rotterdam. the Netherlands. June 9 - August 19, 1996. Exhibition catalogue, 10-11. Amsterdam, 1996.
Nach Weimar. Edited by Rolf Bothe, 110-112. Exhibition catalogue. Kunstsammlungen zu Weimar; Ostfildern-Ruit, 1996.
Prospect 96: Photographie in der Gegenwartskunst. Exhibition catalogue, 124-127. Frankfurt: Frankfurter Kunstverein; Frankfurt: Schirn Kunsthalle Frankfurt; Kilchberg/Zurich, 1996.
The Scream: Borealis 8. Nordic Fine Arts 1995-96. Exhibition catalogue, 64-67. Arken Museum of Modern Art; Ishøj, 1996.
1995
Campo 95. Exhibition catalogue, 31. Venice: Corderie dell’Arsenale; Turin: Fondazione Sandretto Re Rebaudengo; Malmö: Kunstmuseet Malmö, 1995.
(Landschaft) mit dem Blick der 90er Jahre. Edited by Kathrin Becker and Klara Wallner, 54. Exhibition catalogue. Koblenz: Mittelrhein-Museum; Museum Schloss Burgk/Saale; Berlin: Haus am Waldsee; Cologne, 1995.
1994
Europa ’94: Junge europäische Kunst in München. Edited by Christian Gögger et al. Exhibition catalogue. Munich, 1994.
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